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Don’t show that anymore
I don’t feel at home in this global anymore.
Let’s cross our fingers, here you’ll find anything that hits the nail.
Read more: 50 of the TV screens on Netflix
Scarlett Johansson and Adam Driver in Marriage Story.
A film about divorce might not seem like the most productive viewing experience, however, Noah Baumbach’s wedding tale is an adventure you should take. Scarlett Johansson and Adam Driver give two of the most productive performances of their careers as Nicole and Charlie, a couple who embark on the complex legal processes emotionally and logistically related to the separation of a society. Painted with an emotional complexity that includes incredibly funny and painful moments, it is cheerful-sad in its most productive form.
Ahn Seo-hyun in Okja.
Okja 2017 comes from parasite director Bong Joon-ho, which would be a sufficient incentive to see it. Partly bratistic black comedy, part surreal environmental thriller, Okja follows a young South Korean farmer whose puppy friend is a genetically enhanced super pig. But Okja is the goal of a great company that needs its delicious meat. With an English support cast that includes Tilda Swinton and Jake Gyllenhaal, Okja absorbs you with her sweetness before showing you an agonizing close-up of the meat industry.
Elijah Wood and Melanie Lynskey in I don’t feel at home in this world anymore.
If you’ve had a bad day, this movie may be made for you. When police refuse to help in a robbery, auxiliary nurse Ruth and her strange neighbor Tony take the matter into their own hands. I no longer feel at home in this world, but I can see the peculiarities of everyday life, before taking its story to dark places with an even darker sense of humor. With a touch of Coen Brothers style, its perfectly packed 96 minutes will leave you strangely excited.
Adam Sandler in Uncut Gems.
Adam Sandler’s Oscar-worthy functionality did not see him nominated, however, his turn in Uncut Gems is remarkable. Uncut Gems is a dazzling odyssey that follows a diamond jeweler addicted to the game. With the taste of Martin Scorsese’s 1970s crime, the Safdie Brothers take you on a frantic, new York-conscious career, while Sandler’s Howard Ratner will have to pay a valuable opal to pay his debts.
Spanish 2019 The Platform.
From Netflix’s impressive inventory of foreign films comes the Spanish sci-fi horror The Platform. Its height concept focuses on a tower that supplies food to others in each of its many grades through a platform. Those at the maximum sensitive level get maximum productivity and abundant maximum extension, which is devoured as the platform lowers grades. Social observation echoes around this sensitive nineteenth-century thriller, which spins shockingly and infrequently horrific to the core.
Beasts of no nation of 2015.
Director Cary Joji Fukunaga gives you a sober look at the life of a child who becomes a child soldier in a West African country ravaged by civil war. Idris Elba plays the role of a ruthless commander with the astonishing Abraham Attah as the young Agu. Beasts of No Nation, a snapshot of war confronted but calmly positive from a human point of view, will have to be on your radar if you haven’t already.
Joe Pesci and Robert De Niro in The Irishman.
Covering the lives of his mobsters over several decades, the Irishman carries out a three-and-a-half-hour police saga. But don’t worry, you can interrupt this tour of force if you wish. Always smart and entertaining, with martin Scorsese’ favorites Robert De Niro, Al Pacino and Joe Pesci at the top of the screen, The Irishman glides over you, giving a disturbing look at the aging gangsters and the devastation they cause.
Natalie Portman in Annihilation.
Alex Garland has to create his specific violin and existential sci-fi logo with Ex Machina and continues this exercise with Annihilation. Based on Jeff VanderMeer’s novel, Annihilation follows Natalie Portman’s biology teacher, Lena, as she goes through the pain of her husband’s loss as he completes a task at a mysterious military facility outside a meteor landing site. With a cast of female scientists exploring the danger zone, Annihilation is a heady dive into the dark on many levels. It’s a film to meditate long after the credits.
Ali Wong and Randall Park at Always Be My Maybe.
A romantic comedy with a Keanu Reeves cameo and a deep love of food, Always Be My Maybe could have everything you could wish for. Chef Sasha and musician Marcus reconnect long after their brief teen adventure. Always Be My Maybe envelops you in a warm comedy that doesn’t happen to the expected places.
Rome 2018.
Alfonso Cuarón’s semi-autobiographical photography of Mexico City’s Colonia Roma district tells a brief history of astonishing dexterity. Let Cuaron advise you through the ups and downs of a housekeeper who lives in a middle-class family. His lens captures scenes of a complex appearance in an album that silently envelops you with amazement and grace.
Ben Stiller and Adam Sandler in The Meyerowitz Stories.
The Meyerowtiz Stories is a bittersweet comedy-drama narrated through the lens of Noah Baumbach. The headline stories fear the dysfunctional adult brothers, played through Adam Sandler and Ben Stiller, looking into their father’s shadow. A bubbly cast, adding Dustin Hoffman, plays those intelligent, if miserable, characters as they weave their moving stories.
Mudbound 2017.
Mudbound offers you an ancient look at the struggle for the elegance of the prism of a black veteran and a white veteran who still have a foot caught in World War II. Dealing with post-traumatic stress disorder and racism in the Mississippi Delta, with a cast that includes Garrett Hedlund and Jason Mitchell, Mudbound Storm will captivate you.
2018 to all the guys I’ve had before.
The adaptation of the YA ebook that propelled Noah Sentinel to the prestige of madman. Playing with a captivating concept, for all the boys I’ve enjoyed before, she sees Lara Jean Covey (Lana Condor), a half-Korean, half-white woman who develops in Virginia, writing letters to all the children she’s in love for. . Then her funny little sister sends them without her knowing. Although it achieves all the comforting rhythms of romantic comedy, there is a rare layer of representation that gives you an edge over the average youth movie.
Danielle Macdonald and Jennifer Aniston in Dumplin.
Willowdean ‘Dumplin’ “Dickson is the daughter of a former queen of good looks, but you wouldn’t know it since they don’t look alike. When Dumplin’ decides to register for a contest out of spite, he learns a couple of things about self-confidence and confronts his complicated courtship with his mother, interpreted through an observable Jennifer Aniston. Throwing a warm, yet familiar, glow, Dumplin makes the most of its reliable formula.
Jonathan Pryce and Anthony Hopkins in The Two Potatoes.
Set basically in Vatican City, this biographical drama follows Pope Benedict XVI and Cardinal Jorge Mario Bergoglio in the wake of the Vatican leak scandal. It’s as desirable as it sounds. The two popes sculpt a portion of real-life drama with one or two first elegance with Jonathan Pryce and Anthony Hopkins.
Tim Blake Nelson in the Buster Scruggs ballad.
The Coen brothers blow up the dust of the West with a six-vignette anthology film, all located on the American border. One of them considers the current Buster Scruggs, a shattered cowboy who makes a song and triggers a shootout in a canteen. But there’s a dark twist that helps keep you alert. Sewing the rest of his stories with consistent black humor, The Ballad of Buster Scruggs is a Coen Brothers winner.
Mi is Dolemite 2019.
Eddie Murphy returned from his break as an actor with excellent functionality as Rudy Ray Moore, an actor who played a character named Dolemite in stand-up routines and 1970s films. Dolemite Is My Name follows Moore from his paintings in a large-screen record store. Following Moore’s rise to fame and thrilling twists, Dolemite Is My Name does justice to Moore and Murphy’s talent.
Klaus since 2019.
You guessed it, this is about Christmas. But Klaus is not a traditional Santa’s tale. He films a story of choice for the granddull with the inspiration of the tale of Saint Nicholas of Myra. On a fictional 19th-century island, the far north city, we are attached to someone who befriends a lone toy maker named Klaus. With his magnificent hand-drawn animation, Klaus is an exclusive and complex vision of Christmas generosity.
I lost my painting in 2019.
This award-winning French film begins with a cut hand escaping from a refrigerator in a lab and embarks on a search throughout Paris for the rest of his body. What an opening! With some flashbacks and sublime animation, this satisfying story is immersed in the loss, both physical and emotional, in the maximum poetic form possible.
Give Five Bloods from 2020.
Spike Lee’s fierce war drama follows an organization of Vietnam War veterans who return home in search of the remains of his squadron leader as well as buried treasure. With frantic power through it, Da five Bloods gives you a glimpse into the Vietnam War through black experiences, providing too timely criticism of racism and war.
Mark Duplass and Ray Romano in Paddleton.
Tennis teammates Michael (Mark Duplass) and Andy (Ray Romano) get devastating news: Michael has terminal abdominal cancer. Struggling to let go of his dying frifinish, Andy joins Michael’s road in search of drugs to finish things before they become too painful. By turning comedy into melancholy, Paddleton facilitates poignant frivinishship at its center in ingeniously moving locations.
Alexandria Ocasio-Cortez in Knock Down the House.
Even if not in politics, this behind-the-scenes look at what it took for a young woman to form her network and make a difference is incredibly inspiring. Knock Down the House follows Alexandria Ocasio-Cortez and 3 other applicants as they run for Congress in 2018. Obstacles that shake your crusade and the way you handle them are captured on the fly on the wall, with impressive results.
Athlete A.
Athlete A dives into one of the sport’s biggest hitale scandals. Follow the investigative journalists at The Indianapolis Star who have told the story of Dr. Larry Nassar’s mistreatment of young female gymnasts in the United States. The culture of aggression has persisted for decades, however, there is also a gentle attitude at the end of the tunnel, after brave athletes have spoken out.
13, 2016.
Ava DuVernay’s documentary on the formula of American justice meticulously covers America’s racial history from the abolition of slavery to the existing criminal structure. If you like educational materials, this broad look at the horrors of the mass criminalization of blacks gives you a hard synthesis of everything you want to know.
Hilary Swank in I’m a mother.
I Am Mother can dominate the familiar territory of science fiction, but if you like the emotions of James Cameron and Ridley Scott, you’re in the right place. We stick to a young woman named Daughter, who lives in a post-apocalyptic bunker with her robot, called Mother, whose purpose is to help repopulate the Earth. This intriguing premise and scenario are ready for the suspense and dark twists, which I Am Mother offers in style.
Leah Lewis (left) and Alexxis Lemire in The Half of It.
This original YA film tells the story of Ellie Chu, a shy Asian-American woman in the remote town of Squahamish who finds her sexuality. A direct student but without friends who has trouble writing articles for her classmates, Ellie is helping footballer Paul Munsky write a love letter to Aster Flores. But it turns out Aster is the best thing for Ellie. A story of self-acceptance told with a sensitive touch, The Half of It is a joy.
Glen Powell and Zoey Deutch on Set It Up.
Set It Up is a romantic comedy enhanced through the bubbly Zoey Deutch and Glen Powell, as well as through lucy Liu and Taye Diggs, brilliant. Harper Moore is a twenty-year-old assistant to an editor of a sports media empire. Charlie is an assistant to a venture capitalist. Linking their shared workplace misadventures, they come up with a plan to unite their two hardened bosses, thinking it will reduce the workload. This romance in a romance reaches the expected rhythms, but that doesn’t make it any less entertaining to watch.
Carla Gugino at Gerald’s game.
If you liked The Haunting of Hill House, check out Mike Flanagan’s adaptation of Stephen King’s novel Gerald’s Game. Carla Gugino is huge in the role of Jessie, who goes on vacation with her husband to a secluded lake in Alabama. Attached largely to a bedroom, we see that the couple’s disorders go from bad to worse, placing Jessie on the stage of being handcuffed to bed with no one to help her escape. Gerald’s work leads to narrative and emotionally satisfying conclusions, with Flanagan’s melancholy horror becoming a silent triumph for his enchanted characters.
2017 Icarus.
Bryan Fogel’s influential documentary explores the dark aspect of sports doping. Go to Fogel contemplating the possibility of taking part in a cycling race after taking banned ingredients in a way that allows detection, all to highlight the deficiencies of drug testing in sport. But things changed when Russian scientist Grigory Rodchenkov exposed a state-sponsored Olympic doping program that he oversees. Icarus is as captivating as it seems, even if you’re not a cycling enthusiast.
Chris O’Dowd and Jessica Williams at Jessica James.
Jessica James presents a charmingly possessed main character played through an equally charming Jessica Williams. Self-confident and independent Jessica James goes on a blind date where she ends up talking only about her ex. A new edition of the film breaks with a stimulating track, it’s a simple hit for an entertaining evening.
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