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All the Broken People through Leah Konen has to do with epic twists and turns, the kind that makes you crash into a tree, dizzy and confused, wondering how the hell they hit you there. It begins with a premise of Elisabeth Moss from The Invisible Man, or even something like Sleeping with Julia Roberts’ enemy. Our protagonist Lucy finds herself in the same situation, fleeing her violent boyfriend and moving to a new city to start over. However, Davis’s shadow looms above all, Lucy has to account for everything in her new home to be sure she has lost it.
Despite her apparent acceptance as true with problems, she allows herself to open up to her new neighbors Vera and John, who become a kind of father to her, replacing the circle of relatives she has lost. Konen paints us the isolation and paranoia of Lucy’s world, a user so impulsive and desperate for love that she has not noticed the precautionary symptoms associated with Davis, which only makes us think that this will happen again. Vera and John take it under their protection, but they’re back with everyone in town, John’s call is related to a scandal that no one needs to let go or forget.
Sensing the heat, Vera and John conspire to simulate John’s death, and Lucy volunteers to help them, as long as they take him with them. This is where the story revolves, because he was waiting for a story about a woman looking to distance herself from her attacker, and instead we’re now forced to think about who really murdered John. There aren’t many suspects, however, Konen’s handwriting is so effective that it locates the missing suspect. You’d probably just guess that it’ll turn around without delay when someone else starts looking suspicious.
Like Lucy, I found out I wasn’t the most productive judge, because the culprits just weren’t on my radar. And just so you know, even when you find out who’s behind the murder, Konen still has secrets up her sleeve for the conclusion, where you find yourself dazed again, blaming yourself for relying on an imperfect storyteller like Lucy.
… I had learned to adapt to a world where anger, or female anger, at least was not allowed.
Like I said, I guess I can’t identify with her, yet it’s the joy of fiction, being able to get out of ourselves and see things from another perspective. In any case, Konen offers a competent mystery that passes the pages, and if you’re looking for something like that to bite your teeth, well, you probably don’t have to look too far.
Look at the one provided.
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