David Arquette is on his mount. The horse takes the last steps in the most sensitive of the mountain, until the magic hour arrives with the mark of the right spell.
At the center of his herbal is the actor, sloping over the chair. A ridiculous magician’s coat on the floor hangs from him, open to reveal the star’s shirtless belly, a slight bandage bent over the chair.
“I’m a little healthy for being a joke, to be fair to you,” he says, taking a vaporizer to his lips and inspiring as he looks at the view. “If you’re part of the joke, it’s not as painful as if you were the joke. Hollywood doesn’t take me seriously. The media guy thinks I’m a bit of a joke. A lot of those other people haven’t realized what I can do in a ring. »
They soon learn that the juxtaposition between clown and therapist is the precise area in which David Arquette lives. Or that the statements he makes about the fight, like in the televised fight contest that counts Donald Trump among his standout intruders, are as honest as they seem.
Twenty years ago, Arquette infiltrated the world of professional wrestling to announce her film Ready to Rumble. The manufacturers and the organization made the decision that he would win the belt and become world wrestling champion. It was such a crisis that even his then-wife, the star of friends Courteney Cox, publicly expressed his shame. Today, enthusiasts remain one of the worst moments in the history of the fight.
You Can Kill David Arquette, a new documentary released Friday about its titular star (still alive), is aimed at redemption. It’s the initial apology tour of a long-time wrestling fanatic who needs to discover that, if not at least now, he deserves a position in the ring. More broadly, the 48-year-old also deserves a healthy and fulfilled life after suffering an attack on the center and hitting two stents.
With his wife, Christina McLarty Arquette, by his side; his ex-wife in his corner; her sisters, Oscar winner Patricia and warrior #MeToo Rosanna in the stands; and his three children cheer him up, it’s also time that, whatever Hollywood has made a decision for him and his career, he’s making his own story.
He’s a clumsy guy, but he takes it seriously. He’s going to be a fighter. Still.
That smile slowly moves on her face like a caterpillar until it explodes on a butterfly, begins to move slowly when I ask Arquette about this scene on horseback.
It’s hard to say, when it comes to his sincerity contrasted with the absurdity of the symbol at hand, if it’s more or less ridiculous as the moment we see him scratching a ukulele sitting in an Adirondack chair from the top of a suburban ranch, his waist wraps him almost completely as he depolytically is: “There’s a detail no one needs to grow, you know? I love the way kids see the world. I hate to develop.
“Combat is fun,” zoom tells me in a recent call to Zoom, acknowledging the visual absurdity in the component of manufacturers looking to make a visually appealing film. The nuggets of wisdom, however, are all authentic. “The fight is serious. Combat is terrifying. It’s a tough fight. And we’re looking to explore all that in this movie.
If you don’t think David Arquette takes you seriously at this point – his health, his family, his acting career and the fight – well, the joke is yours.
Choose a metaphor to apply to Arquette’s recent attempt to return to the ring.
A longtime wrestling fan, a source of ties with his father, who the enthusiasts who love the game with the Olympians revere his brief 90s bow with such ill will is an itch that has haunted him for decades.
There was a time when TMZ could well have paid him royalties, given the amount of videos and reports that the Hollywood gossip site exploited from never’s Been Kissed star in states of intoxication and consistency.
The actor, who has already echoed Vanity Fair’s Hollywood factor, is frank about the fact that he has auditioned for the past 10 years without landing any of the juicy portions he seeks. “Who would go out during 10 years of task interviews and not have one, and I would keep going out more?” He says.
In You Can’t Kill David Arquette, you see him humiliated in the Virginia home of amateur wrestling enthusiasts, who, while the prominent celebrity they’ve had in their backyard, boo him.
You will see that the definition of muscles begins to penetrate your abdomen as you prepare for a redemptive return to sport.
You see him educating himself in Mexico, paying his dues as he fights on the streets of Tijuana, jumping from a ladder into the arms of amateur fighters for gentle traffic and asking for advice, just a trail of the stunts he would do. weeks later when he joined the circuit.
You see the joke that all this is covered in the press, ignoring the healing trail in question.
“When you read those things, they only hurt you if you feel like they’re real, if you know what you’re reading,” he tells me. “That’s where the painful component was.”
A celebrity usually participates in a documentary when he canonizes his legacy. I’m not sure I’ve noticed that someone so voluntarily participated in a task that appreciates their failures, which includes raw photographs of them being belligerent drunks, recommendations from doctors about their intellectual fitness and, more than once, sneaking into the overflowing sweetness of death. . the door opened.
“Being able to do it in myself and become myself was satisfying in this way.” Besides, he says, those celebrity documentaries are boring like hell. Who can appreciate them, or even take something from them?
“I think many more people have emotions of doubt, lack of confidence or anxiety and depression than many other people communicate about it,” he says. “So I didn’t worry about being judged. I sought to reveal myself and open up. You do it so that someone else who’s going through a similar scenario doesn’t feel alone.”
It’s striking that the entire Archette tribe looks like it in the film. Interspersed in the middle of scenes where the star risks his life for a probably ridiculous dream of returning to the fight, he says it all. It’s his famous family. They’re his children. She’s even his ex-wife.
“We met in Scream 1. We hate others in Scream 2. We were married to Scream 3. And we got divorced in Scream 4,” Cox jokes about their relationship.
Recalling how it was when she tried her hand in wrestling for the first time, much to the confusion of almost everyone in her life, she admits that at least he made a point: “It seemed that she had been on Earth, Wind and Fire. However, instead, he went to wrestling matches. And it was so loud. It was a little embarrassing. There was nothing small about the way he embraced the fight.
When I ask if a memorable arc of friends was encouraged through this bankruptcy of their lives, in which Cox’s character in Friends Monica is disturbed through her boyfriend, who plays Jon Favreau, and decides he needs to become a wrestler, Arquette. does the “Arquette” – that thing you can already believe just by hearing his name, where he moves his head down in an opposite parable. Array laughs silently, passes his hand through his hair, then looks at you with a smile. his face.
“It’s infamous that all the time they made friends, they did things in everyone’s life and eliminated them somewhere, either with that character or with others,” he says.
In You Can’t Kill, David Arquette, the actor’s current wife, presenter and manufacturer Christina McLarty Arquette, puts in context why this obvious lark is so existentially important. “As attractive as the fight is, it seems that going through this global world has led many filmmakers not to take it seriously,” he says.
He also has a monologue, which sums up his entire career, or at least where his career seemed to go wrong.
“In the late 1990s, he was in the Pavilion of the Hollywood edition of Vanity Fair with this elite film star organization, along with Leonardo DiCaprio and Matthew McConaughey and Will Smith,” he says. “These guys have become the most important movie stars in the world. I think David is very saddened by the fact that that may have been it. But instead he continued to make the Scream movies and has become a kind of that’s what everyone remembers about him, the Scream cop. It was also at this point in his life that things started to get weird. I think his involvement in the fight was the last straw. People didn’t realize that. he was crazy, and that hurt his career.
Arquette admits that, while everything she says is undeniably true, her inclusion as an exhibition in the film seeks the orderly narrative of a producer. The genuine story is much more confusing than that, especially when it comes to a user who is addicted and has never adhered to a professional “strategy”.
“There are many more things that caused derailment, like drinking,” he says. “Make a series of ads that you probably shouldn’t have made. I’ll decide what I want. Often those are the jobs I get. So I think other people didn’t know where to put myself or take me seriously like this or that. Sometimes people don’t take comedians seriously.”
When you participate in a film that carries your call and also the word “kill,” it invites you to reflect on your own mortality.
The film’s climax is in a death attack in which Arquette undeniably proves her worth in the ring, but ends up hurting him so badly that they rush him to the hospital. A shard of glass severely severely severely severely cut near the carotid artery.
Looking back now, emotions about life or death are only intensifying. Arquette’s most productive friend, Luke Perry, accompanied him in that game and took him to the hospital. Weeks later, Perry died. Arquette’s last game in You Cannot Kill David Arquette opposite Perry’s son Jack, known in the ring as “Jungle Boy”. (Try not to cry when you look at it.)
“After the game to the death, my wife said to me, “I feel like you have to die, ” he said. “I like it, no, I don’t need to die. But that feeling is in me. The feeling of being so hard, feeling like you don’t need to go on and fight so hard that essentially personifies you almost killing. “
But that’s why he made this movie.
“There are many behaviors I had to settle for and perceive why I practiced them. There’s a lot of trauma I needed to decompress and perceive and deal with all those disorders that I’ve been dealing with for a long time. See you later.
Senior entertainment reporter
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