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Forget the platforms brought to advertising such as tubi, plex and rather. These are unexpected reference points for wonderful films such as “Gunda” and “Farha”.
By Brandon Yu
Perhaps Big Tech maintained his disruptive promise for films after all: we have reduced our cable cables for the value and convenience of paying so much (if more) to jump through rings and through platforms, with reduced quality yields.
But there is an intelligent task to do. Therefore, this new column does not fear loose things, but in the discovery. It is a conservation of intelligent and wonderful films on loose platforms and is compatible with advertising such as Tubi, Plex and Pluto TV that occasionally falls through the meshes of our abundant and complex entertainment content.
The possible options of this inaugural chronicle take us from a small farm to a narrow Japanese apartment, a kitchen to eat a historical record of memory. These are videos that you can see, face and think free.
Distrust of tubi.
A underestimated trend in recent films is the animal artistic image, from “EO” (on a donkey) to “First cow” (cow) to “cow” (you understand it). “Gunda” is perhaps the maximum simple and maximum silence of all, but includes a moving and furtively deep investigation into human and animal nature.
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