Gabrielle Union on the AGT and the importance of black-owned business at the American Black Film Festival

Gabrielle Union has been operating in the entertainment industry for more than two decades, but that’s not without some challenges, the multi-point entrepreneur said at the American Film Noir Festival.

The actress spoke about her toughest time at Sunday’s “Minding Her Business” roundtable at the 2020 Virtual Film Festival, revealing her release of “America’s Got Talent” as one of her toughest trade deals to date.

“Probably the AGT of all this was so unexpected and so heartbreaking and so frustrating and so useless. That would probably be the hardest component (of my time in the industry),” said the discussion, moderated through Raymone Jackson, national diversity director at Morgan Stanley.

Union, 47, spoke about his reports in NBC’s truth-showing competition, adding his accusations of poisonous and racist environments on set, following the departures of his colleague Julianne Hough last year after a season.

The union stated that other misleading facets of the “AGT” scenario were “felt like a public flogging and simply stood firm on my fact and remained on the aspect of workers’ rights and knowing that there is a better way to do business.”

“But this total procedure was brutal and knowing that I brought my team there, it sucked,” he said.

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Union said that through its corporate production and other advertising collaborations, it needs to create an area that fills a gap in the industry “where I feel that the voices of other marginalized people have not historically been focused or amplified.”

The star of “L.A.’s Finest” warned that he would take an opportunity too temporarily before taking due diligence.

“We are facing a lot of rejection in this sector,” he said. “Every time someone says yes, you’re very excited, because we don’t hear the yes so often, and those do, other people mask many problematic disorders and behaviors… Maybe you don’t need to be someone’s racial guinea pig. “

She under pressure on the importance of being part of black-owned corporations in her career, and pointed to her Flawless through Gabrielle Union hair care line as an example of how to locate business components and potential contributors before signing on the dotted line.

His line was relaunched in 2020 after his debut in 2017.

“I was more the face of (that). It had a very small percentage of Flawless property in 2017,” Union said. “Immediately, I knew I probably wouldn’t paint as I was looking. I knew without delay that my business would be owned by blacks and not just black … and I needed to concentrate our voices and our needs.

She continued: “All cash is not smart cash. I learned the hard way with that … The launch of a hair care line owned by Black is a day-to-night delight at our initial launch,” he said. pay attention to detail in the ingredients of the product and the composition of the team the scenes as integral differences.

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Although the verbal exchange was filmed before Sunday, the Union panel aired on the day Kobe Bryant would have turned 42, months after the basketball player’s death in a helicopter crash in January, and she spoke of his death as the birth of an unprecedented year. tragedy: it was a crazy year, the birth with the death and thought of Kobe Bryant, and probably shouldn’t have been worse.’ And we had no idea what the world was waiting for. “

ABFF will be open until August 30 and will broadcast more than 90 films celebrating film noir, as well as roundtables with Kenya Barris, Oscar-winning filmmaker Barry Jenkins, “Candyman” director Nia DaCosta, Mary J. Blige and Lena Waithe.

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