After the monumental good fortune of the RRR of SS Rajamouli, the game changer marks the return of RAM Charan to a large solo excursion. Directed through Shankar, Game Change is her first solo exit and presents it in two roles, which certainly doubles Damaka for the public. After the Débacle of Indian 2, Shankar has returned with the change of play, which marks its beginnings in Telugu. Is it a “day that adjusts the situation” or a “game” for the Shankar-Rran duo? Let’s locate!
Ram Nandan (Ram Charan) is an IAS officer who struggles with anger issues. He is a fair and upright officer who is not agitated by corruption. As a high-ranking official, he needs to make Visakhapatnam free of corruption. The Prime Minister, Bobbili Satyamurthy (Srikanth), who has so far corrupted the government, is undergoing a transformation and training his sons, Mopidevi (SJ Suryah) and Maavera Munimanikam (Jayaram) and their ministers to avoid favoring and lead a corruption-free government for next year while remaining in power.
When Ram Nandan confronts Mopidevi, who aspires to the next Chief Minister, this transforms the tables of his life and Andhra Pradesh. Will Ram Nandan realize his dream? Will his anger disorders occur among his justice?The Game Changer explores all of those dynamics in two hours and forty-five minutes.
Throughout his career, director Shankar’s films have dealt with corruption, and the change of play is no exception. However, years after his career, he chose the protagonist of Ram Charan to be his teluu debut. The political drama, which has a written story through Karthikkik Subbaraj, several concepts that adapt to the sensitivity of the Teugu public.
The first part of the game changer is tedious to sit down, reminding the 2. nonas of the sequences are consistent enough or attractive to make looking towards the full of power. Sunil as the so -called sathyam comedy, the forced romantic angle starring Ram Charan and Kiara Advani does not add anything to history, which revolves around electoral policy. It is only before the interval, when Charan suffers a moment that changes his life, that the film begins to feel alive.
Even if the film focuses on electoral policy, it lacks exciting ideas. Charan’s sermon about electoral policy is superficial because it emphasizes how voting banks are exploited through cash and elections are reduced to an undeniable joke.
Ram Charan, in his dual roles as Ram Nandan and Appanna, is the life and soul of Game Changer. He has done all the heavy lifting in this mediocre political drama. SJ Suryah, caked in layers of makeup, is too loud and screaming to express his emotions. After these two, it was Jayaram and his funny one-liners that provided the film’s few moments of humor. Srikanth and Samuthirakani portrayed interesting characters which could have been explored better.
The Shankar director’s films are known for their emotional flashbacks. While the change of play shows Subbanna as a militant with a stuttering, his character to have more agency, because he would have promoted the part of the film more.
The vision of the camera by converting the situation, especially with respect to women, is problematic. The camera persists in its navel and sine, cutting them to undeniable articles of the male gaze.
It’s the best moment that Shankar redesigned his path to cinematic greatness. While the songs, written through S Thaman, have been fixed in eyebrow stomping tears, they make you feel a little, as they did in the ’90s. The songs had a slight effect on or had no value to be buzzed.