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In Esquire
Netflix has released a trailer for Anelka: Misundersunded, Nicolas Anelka’s upcoming documentary. I don’t want to tell you what’s in this trailer. You know what’s in it. You’ve seen so many prestigious documentaries about sports stars that you know what to expect.
Obviously, you can see for yourself. But you may not be surprised.
Wenger, Henry, Drogba, Petit, Pogba and, of course, Nicolas Anelka, talking about Nicolas Anelka? Yes. Very well. Anelka: Misundersknown arrives on Netflix on August 5. Pic.twitter.com/dg1xXIbBbT
– Netflix UK – Ireland (@NetflixUK) 22 July 2020
You may have guessed all that, haven’t you? A document about a single player is another beast of, say, The Last Dance or Class Of 92. Just because there are more egos involved, they tend to be a little more impartial.
There have been some sports documentaries in recent years, if you haven’t noticed the terrifying Free Solo yet, do it now, however, there are a number of sports documents that tend to follow the same path.
The solo document is to enter the subject’s head. Or at least give a pencil-drawn artist an impression of the inside of his head and infle enough for his intended step in the training/TV/whey protein shilling for an extra hit.
They are a million miles from the pop docs that Lady Gaga (Five Foot Two), Taylor Swift (Miss Americana), Katy Perry (Part Of Me), Beyoncé (Formation) and others have gathered. In fact, they stole several equal shots. Some, like Diego Maradona of Asif Kapadia, manage to go beyond them. Many, many, many others do
We meet the athlete doing anything mundane those days, signing anything or driving aimlessly in Los Angeles as Steven Gerrard does in Make Us Dream. It’s a pair of rope-backed driving gloves away from Alan Partridge on norwich’s Ring Road.
This is the segment that describes My Fantastic New Life, which I love. It’s quiet and comfortable, and there are kids running. But we’re not here to see an ex-athlete potter at the points of sale with his sprockets picking screws with tungsten spikes. We’re here for a slow motion archive of them in their pomp: The Phenomenon.
“[The Athlete] Array … unbelievable,” a former teammate will say, shaking his head. His talking head is interspersed with a dizzying career through expanding defenders, or a thrilling level win in Alpe d’Huez, or one dunk after another. The super cup of the athlete’s brilliance becomes an audiovisual attack on your own memory. No, the athlete is not a bit asymmetrical and disappointing on the most important occasions, in fact. The sportsman a genius.
This will happen perfectly in The Blossoming, in which we recover a video of a child meditating on everyone in the selected discipline.
“When I met [the athlete], [the athlete] was … a crazy kid,” laughs a coach from his early years. After a few anecdotes describing your crazy girl, a walk through her community of years of training adds a little more excitement.
We went through the primary stages until we got to The Triumph. For Anelka, it will probably be France’s victories at the 98th and Euro 2000 World Cups, and the cash transfer to Real Madrid that followed. There’s very little meat in this piece. At some point, the athlete will list some of his ex-company through the surname and then say “… wow.” So when they were asked to describe their emotions on the most sensitive thing on the mountain, the mountain they climbed from The Blossoming, they would say it was “an indescribable feeling.”
But then there’s the difficulty. A demon talked about the Blossoming will raise his head, whether it’s an addiction, some other intellectual aptitude problem, a catastrophic loss of confidence, or an old injury. This demon will be killed, but not without taking advantage of a clever opportunity to separate itself from witty cinematic abstraction.
There were probably stellar examples in last year’s The Edge, about the rise of England’s cricket test team to number one in the world rankings. Among other symbols, Jonathan Trott’s intellectual isolation was represented through the genuine Jonathan Trott walking in the middle of a cornfield with his full team and taking his guard. Anelka: Misunderstood, it seems that he will use the strange symbol of Anelka walking through the desert to illustrate his years in nature, which, you will have to say, is admirably literal.
However, before or after that, you’ll have to have The Unpleasantness. It can be just a big loss, or a mistake at a very important time, or a fight with the enthusiasts that, in fact, was just a false impression and I never told them anything. Anelka will be excited. There is his role in the 2010 World Cup revolt, his decisive penalty in the 2008 Champions League final and a flirtation with anti-Semitism in the use of the quenelle gesture, which would indeed make the evocation of Moses and his wanderings through the desert. a bad decision.
The conclusion of the film is that, in fact, The Unpleasantness was a smart thing to do. In the end, the player enjoyed it because it gave them a sense of attitude and reminded them what was important, so all the other people who refuse to let Go The Unpleasantness – the opponents, the ones who hate – and continue to remind them, and think they have one when they do, they bark in the wrong tree! This is not successful in the player! They’re a laugh, actually! Say ah! Say ah! It’s ridiculous! Actually, Array is funny! I can’t give a tie! But the player learned a lot, in fact.
Finally, we return to My new life, which I love. It is ok. The worldly activity they did at the beginning of the film is now loaded with meaning. The future? I’m overexcited. It’s a journey.
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