“The Chicago Trial 7”
It’s a collection of slimmer fall film festivals to be shown in Venice, Toronto, and New York. There is a general absence of Netflix videos and sometimes there is “Ammonite” (Neon), “On the Rocks” (A24 and Apple TV) or “Nomadland” (Searchlight), others have been withheld in favor of a presentation closer to the overdue awards season ending with the Oscars on April 25, 2021.
Ted Sarandos of Netflix, recently promoted to co-CEO with founder Reed Hastings, said he made the decision to make a festival in March, when the closure began.
“At the time, it seemed quite dark, and the concept of taking other people in combination to let them through the mountains and watch videos in small dark rooms didn’t seem so pleasant to many other people,” He said on IndieWire’s Screen Talk. . ” Not only that, when we had to have interaction at those festivals at the time, the films were in the states to be completed. We believe that making filmmakers spend time in the editing room rather than with their families probably wasn’t a smart commitment. . . In fact, we didn’t need to force a filmmaker to pass or send a worker if he was nervous about going to a festival somewhere.
Sarandos said Netflix had tried to cushion the monetary shock of festivals and that it “makes other people able to watch the videos the same way you would if you were at the festival. “He added that Netflix’s fall list will appear on the site “around the time we plan to release the most of those videos” and in theaters depending on availability.
By Ryan Murphy, there will be the adaptation of the main school musical called Tony “The Prom”. Original Broadway e-book authors Chad Beguelin and Bob Martin wrote the script, and movie stars Meryl Streep, Nicole Kidman and James Corden as a low-career theater stars who descend to Indiana City to fight for the right of a gay teenager (Jo Ellen Pellman) to take her friend to prom.
The film, which had to be prevented before several days of filming, resumed production for five days in late July under strict safety protocols at Raleigh Studios in Hollywood. “Ryan makes you pull down your socks, ” said Sarandos. ” It’s a marvel. “musical. ” Probably the maximum result for this film: an animation festival at the Golden Globes with “West Side Story” through Steven Spielberg for comedy or music.
– Prom Musical (@ThePromMusical) April 10, 2019
Mank will most likely show up at the end of the year. David Fincher is still editing the Hollywood biographical film in black and white, based on the screenplay of his late father Jack, with the collaboration of Herman J. Tom Burke) in the 1941 “Citizen Kane” marks the return of the authors of “Fight Club” and “Social Network” to perform feature films for the first time since “Gone Girl” in 2014.
Amanda Seyfried as actress Marion Davies, Charles Dance as ner and William Randolph Hearst, Lily Collins as Mankiewicz’s secretary Rita Alexander and Tom Pelphrey as Joseph Mankiewicz, are also part of the “Mank” ensemble. Finher also met with Oscar-winning composers Trent Reznor and Atticus Ross (“The Social Network”).
As always, Sarandos is an enthusiastic pitcher for his training. “It’s a disgrace of wealth not only who made those movies,” he said, “but also the movies they made. “Mank “difficult to execute even for a full director, said, as “The Irishman” by Martin Scorsese; insisted that this film more than handed over its $150 million investment. “We couldn’t have spent better,” he said. This is an incredibly advertising film for Netflix, one of the 10 most watched films of all time, with 10 Oscar nominations. “
“Hillbilly Elegy”, directed by Oscar winner Ron Howard (“A Beautiful Mind”) and adapted through Vanessa Taylor (“The Shape of Water”) from JD Vance’s debatable 2016 memoirs. Gabriel Basso plays a law student returning to his hometown of Appalachia, Ohio, where he grew up through a strong mother (Amy Adams) and a grandmother (Glenn Close). Whatever the review of this film, the academy’s actors know that the two actresses are for the Oscars, with thirteen nominations of difference.
Oscar-winning sci-fi mystery George Clooney, “The Midnight Sky” is also turning to publicity. He directs a script through Mark L. Smith (“The Reborn”), based on Lily Brooks-Dalton’s novel about a lone Arctic Scientist (Clooney) looking to warn a NASA spacecraft astronaut (Felicity Jones) not to return to Earth after a disaster. “Midnight Sky” may simply be the paintings of Clooney’s director to date, ” said Sarandos.
“My Rainey’s Black Bottom” was adapted through actor, screenwriter and director Ruben Santiago-Hudson (“Lackawanna Blues”) from August Wilson’s 1982 Chicago play. George C. Wolfe directs, Denzel Washington produces and Viola Davis (“Fences”, Oscar winner) plays Ma Rainey, with Chadwick Boseman and Colman Domingo playing members of his 1920s jazz band in a long recording session. Like “Mank”, the decoration of the time deserves to be a cat weed for the arts and arts branches of the Academy, such as production design. , wardrobe, hairdressing and makeup.
A Netflix film that may have caught the festival’s attention is the sequel to director and screenwriter Ramin Bahrani in HBO’s “Fahrenheit 451”, the short story “The White Tiger” in India. Based on the novel through his former friend from the Man Booker Award-winning Aravind Adiga school, this story of a low-caste driving force from Bangalore (newcomer, Adarsh Gourav) who comes out of poverty running as a driving force, killing his boss and stealing his money to start a business, may simply prove to be the maximum available in Bahrani to date.
Netflix also took some studio photos to upload to its counterfeit prize list, adding Aaron Sorkin’s “The Chicago 7 Trial. “Sorkin sought to publish it before the election; hence Paramount’s sale of the film to Netflix. “It’s like at the moment and as fresh as possible,” Sarandos said, “even though it’s a period film full of performances. “
Oscar-winning screenwriter Sorkin (“The Social Network”) wrote and directed this true story about how a non-violent open-air demonstration of the 1968 Democratic National Convention turned into a violent clash with the police and the National Guard as the United States watched on television. The film also follows the resulting conspiracy trial, starring protest leaders Abbie Hoffman (Sacha Baron Cohen), Jerry Rubin (Jeremy Strong), Tom Hayden (Oscar winner “The Theory of Everything” Eddie Redwouldne Possibly) and Bobby Seale (Yahya Abdul-Mateen II) along with his star lawyer, William Kunstler (Mark Rylance, Oscar winner “Bridge of Spies”). It remains to be seen how Netflix will cross this set: the rewards team would possibly take the direction of “Spotlight” that supports everything.
Netflix also acquired Scott Rudin’s long-delayed and commercially infected Fox 2000 orphan, Joe Wright’s mental mystery “The Woman in the Window,” adapted through playwright and actress Tracy Letts from AJFinn’s e-book about an agoraphobic therapist Anna Fox (Amy Adams) who follows, perhaps too close, her neighbors in New York (Oldman , the star of “Darkest Hour” through Julianne Moore and Wright). Brian Tyree Henry, Jennifer Jason Leigh and Anthony Mackie are also on the lineup. Many are curious to know what happened right or wrong with this image, which has been an unlikely stage actor.
As usual, Netflix also offers some nonfiction Oscar contenders in foreign languages. Five Netflix documentaries have sprung up strongly from Sundance this year: Nicole Newnham and James Lebrecht’s audience award winner “Crip Camp: “A Disability Revolution,” he produced, as “American Factory,” an Oscar-winning Netflix last year through the Obamas; Taylor Swift’s profile of Lana Wilson, “Miss Americana”; Rachel Mason’s look at a wicked circle of relatives in the bookstore, “Circus of Books”; “Disclosure” through Sam Feder, on trans representation in the media; and Kirsten Johnson’s tribute to her father “Dick Johnson is Dead. “”Athlete A” through Bonni Cohen and Jon Shenk published in June an exciting story about how American gymnastics physician Larry Nassar sexually abused young women on the team for decades.
A imaginable presentation of a foreign Mexican feature film is Fernando Frías’ “I’m No Longer Here,” about a Monterrey street gang dancing and celebrating until an assembly with a local sign heads south.
And from Italy comes “Life to Come”, directed by director Edoardo Ponti, son of Oscar winner Sophia Loren (“Two Women”) and the defeated manufacturer Carlo Ponti. Adapted through Ugo Chiti from the novel by Romain Gary, it is the story of an elderly Holocaust survivor (Loren) who is related to a 12-year-old Senegalese street thief. Israeli filmmaker Moshe Mizrahi memorably adapted the e-book into “Madame Rosa,” starring Simone Signoret, who won the Oscar for Foreign Language in 1978. Don’t underestimate the appeal of Hollywood’s golden age survivor Loren, 84. years, with the old academy. It is his first movie in a decade.
This article is similar to: Rewards and Hillbilly Elegy Classified, Mank, Netflix, Oscars, The Trial of the Chicago 7