Whether or not you have kids, you might want to check out the best new family movie on Netflix, because it’s definitely geared toward adults and kids alike. Wallace & Gromit: Vengeance Most Fowl just landed on the streaming service with a perfect 100% Rotten Tomatoes score. Better still, audiences are in almost total agreement with critics, giving the movie a 96% Popcornmeter score.
The movie in Hitchhiking or Clay follows the heroes in the madness and exaggerated adventure of the remarkable Aardman Studio. The story follows Wallace and his Beagle, Gromit, while colliding with a poultry villain called Feathers McGraw, which we met in the 1993 short film The Wrong Civeers and met in a brief Camée in the Dawn of the Pepita. McGraw, a strong jewelry thief, returned for revenge.
Four-time Academy Award-winning director Nick Park teams up with Merlin Crossingham to bring this latest adventure to Netflix.
Here’s the trailer:
The film features a “smart” gnome named Norbot that Wallace invents for him in his gardening tasks. When things take a dark turn, Gromit begins to consult the true nature of the experience. When the dog discovers that Feathers McGraw is in charge, it’s up to GROMIT to save his master from certain disaster.
“As always, Nick Park and his army of Aardman animators paint wonders with clay, creating a world more magical than anything a computer can generate,” writes The Scotsman’s David Hepburn.
Moira MacDonald of Seattle Times praises the film through writing: “It’s a natural delight, all the more so for its gritty, low-tech artistic upbringing that has replaced so much in 35 years. “
“Despite the “improvements” to the animation technique, there remains a purity to Wallace & Gromit,” The Wall Street Journal’s John Anderson writes. “In fact, the most endearing aspects of the series are its links to silent comedy. And dogs, naturally. And penguins.”
Carlos Aguilar de los Angeles Times writes: “‘Vengeance Most Fowl’ preserves the essence of this fool of hand molded universe, while striving to achieve more ambitious visual components.
“I would say that I wanted to be a child so that these films could simply be formative, but they make me feel like a child and reinforce my symbol,” Jason Adams wrote about my new checkered pants: “-Dto -stub -Toe Delight of Start to finish.
You can see Wallace
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