A new film through Christopher Nolan remains a major cultural moment, however, preparation for Tenet’s release has been even more intense than general due to repeated delays caused by the virus’s uncertainty. The plot had been a well-kept secret for some time. However, it turned out that the ultimate and effective way to prevent anyone from knowing what was going on was to show them the film, it was confusing!So much so that I had to admit that after the first visualization, I knew that there was no I did not enjoy it However, a moment of visualization reversed this, so to speak, and I was absolutely extremely happy, so much so that a third visualization followed.
The first display special that took place at the IMAX BFI at Waterloo in IMAX 15/70mm format. If you need to know more about it, check out my previous article, but suffice it to say that you think of many, and especially through Christopher Nolan, as a reference as a cinematic symbol. To see it in this format is then “as the director staged” in its purest sense.
However, it is rare to do so, because according to this list, at the time of writing, there are only thirteen 15/70 mm IMAX prints worldwide, and five of those cinemas are recently closed in Covid-19. If I haven’t noticed it firsthand, I’d be very curious to see what the popular 70mm film, which’s been broadcast lately in London on the Dolby screen in Odeon Leicester Square, looks like as an alternative to the popular 70mm film, which’s been broadcast lately in London on the Dolby screen in Odeon Leicester Square, check to locate one. Can.
Then, with some emotion, I sat near the back of the cinema. Even before the movie starts, it’s not hard to get inspired through the screen, no matter how many views, it’s 26 mx 20 m high, making it the biggest. screen in Britain, at least when using the entire screen. It is at this time that it is used to assign full format IMAX footage in 1. 43 symbol format and there are only 3 screens with this proportion of facets in the UK (think of as “high screen” in addition to giant screen).
The first moments of the foray into the opera begin with a burst in full format 1. 43 and the scale is impressive. It takes you inside the theater to a theater. You’re here.
There is no definitive number for the percentage of Sequences on Tenet that were filmed in 65mm film format or 70mm IMAX, however, that’s an abundant amount (I guess about 50%) and each and every time it enters this full format- the frame format is incredibly immersive. I’ve been close to the front for previous videos and this can be overwhelming. An intermediate seat can be the best point between taking each and every single thing and wasting yourself on the experience.
On the other hand, the popular 35mm footage on the large, beautiful screen is visibly softer and more grainy. Some other people would possibly find the continuous change of height/width ratios annoying, but I’m a little excited about each one and every time because the full frame footage is so impressive: it’s bright, crisp as a razor, with vivid colors and perfect contrast.
The photo of John David Washington and Elizabeth Debicki chatting on a hike to the most sensitive cliff provides the opportunity to show a truly breathtaking view and looks epic in full screen. Even listening to two other people chat involves.
Nolan explains how his cinematographer was able to use the IMAX camera in places where they would not normally be used and this gives the car chase series visceral quality that it would not otherwise have. Washington also explains how the presence of the giant camera adjusts the nature of the performance. “The IMAX camera will get you involved,” he says.
To be honest, there were ephemeral imperfections in the symbol, probably caused by the flicker of a movie symbol as it passed through the door or some other problem. However, for me, he just added to the delight that we were seeing something physical. The texture of the symbol is particularly different from that of virtual projection, noticeably warmer and more pleasant for the eyes.
The audio, however, is far from sophisticated: it’s incredibly strong and explosive, and only six channels in the BFI, which might be why I struggled to decide on some of the dialogues. This has been a widely reported challenge with the film, however this has been a challenge with Nolan’s past films, so I guess that’s the way he likes to combine his movies. Nolan doesn’t need to take his audience to easy-to-follow stories, and you may need to see Tenet for a moment. both to check to perceive what they are saying and to expand the science behind the incredible investment sequences of time.
In the end, what made me appreciate the breadth and clarity of the 15/70 mm footage was watching the film at my local cinema, which turns out to be a laser-projected IMAX. This screen is only 10 meters high and has a facet ratio of 1. 90, so it doesn’t fall behind, but I was surprised at how small the joy was. In fact, I would have liked to see it in this format first and then have the possibility to update, in each and every sense of the word, to the delight of full-frame IMAX. If you are lucky enough to be able to see Tenet in this format, I strongly propose it. Yes, the value of the input is very high, but if you can justify it, you are guaranteed an unforgettable movie, even if you leave without understanding a word.
A generation journalist for more than twenty years, I have observed and written about the evolution of the global from analogue to digital. I have written, in print and online form,
A generation journalist for more than twenty years, I have observed and written about the evolution of the global from analogue to digital. I have written, in print and online, for technical and B2B publications of clients such as TrustedReviews, Wired, Expert Reviews, Den de Geek, Home Cinema Choice, IT Pro, IT Pro Portal and Expert Reviews, and have been the voice of customer generation for publications such as Sunday Times and Jewish Chronicle. I also gave the impression on BBC World Business News and BBC Radio Five live.