Jan. 8 (UPI) — In Hollywood, Donnie Yen has exhibited his martial arts skills in Rogue One: A Star Wars Story and served as one of John Wick’s most formidable opponents. The Chinese-language film The Prosecutor, in theaters Friday, is a showcase for Yen’s physical prowess and charismatic acting.
In Fok’s first case, my ka-kit (Fung Ho Yeung Mason) encouraged to beg to an accusation of drug trafficking, while the drug trafficker has become free. Fok reopens the case of Ma, which the Department of Justice won through its plea, in the interest of justice for me.
Fok not only exhausts the legal means to highlight my innocent. While doing his own investigation, Fok ends up saving my uncle (Lau Kong) from a murderer and fighting more drug traffickers and thugs.
Yen, who directed the film with action director Takahito Ouchi, arranges an intense action scene in a parking lot where Fok and his pursuer jump several levels.
In rooftop combat, the yen appears to be a drone camera to get an aerial view of the hand-to-hand combat. A subway combat uses a dynamically tight area, as the yen uses the poles in the subway car to power its somersaults.
Yen enthusiasts for a long time can see how it has become more dynamic as an Iron Monkey monkey actor for IP Man and John Wick Four Movies. His oldest films are great, it is glorious to see it evolve by incorporating new techniques when he continues to be informed and practicing.
Beyond the action, the film’s legal drama is poignant. MA relies on her lawyers (Shirley Chan and Julian Cheung Chi Lam) when they tell her to plead for guilt to result in a reduced sentence.
Similarly, Fok First worsens things for ma when the trial of Pass On (Michael Hui) provides him with an even harder sentence when recovering. accused.
The confidence that Yen brings to his fights also serves Fok in those dramatic confrontations in the courtroom.
Although there are structural differences in Hong Kong’s legal formula, the basis of witness wonder, the complaint before the approval trial, and the prosecution and defense agendas are transparent. It’s so transparent that the error room even leaves the maxim well-intentioned.
Many main legal dramas have followed an idealist lawyer who fights the formula of facts and justice. The legal drama is much more a laugh with all kicks.