In an age when social media is the national shortcut, it’s especially captivating to hear a clever story, if only for one other reason: it’s almost like a lost art. No one knows the price of stories better than Mike Rowe, and few have told them so competently. In his new film Something to Stand For, the opera singer-turned-longtime host of Discovery’s foreign hit Dirty Jobs takes his hat off to the legendary Paul Harvey, whose The Rest of the Story was a national hit. staple food for a generation.
Like Harvey, Rowe uses the ever-interesting strategy of sharing engaging but little-known facts about prominent people, without revealing their names until the end. When the verbal Polaroid appears, you must guess who it is with each and every clue that appears. along.
Rowe’s first feature film is a collection of thrilling stories celebrating the little-known travels of some of America’s most important figures. Once we dive into Rowe’s clever narrative, it’s easy to overlook the bigger issues at stake, the why of the story, and Rowe’s goal. motivation.
Of note is Rowe’s birthday party, which represents American courage and distinctiveness, a reminder that the country was forged through struggle and that we have triumphed over many demanding situations in our history, thanks to the men and women who have risen up to defy the odds. By extension, it raises an undeniable question: who will be the next to answer the country’s call?Who will be remembered?
Inspired through her popular podcast The Way I Heard It; Rowe presents a series of unrelated ancient occasions and the men and women who face decisive problems in an American hitale: a story that solves some sort of mystery and provides clever twists that keep the viewer interested.
Among other topics, the film includes war stories, Gipper’s ghost baseball game, a connection between NASA and Martin Luther King, a degraded defector who received the Medal of Honor, Lincoln’s not-so-famous duel, a Vietnam souvenir, a public tribute to the Tomb of the Unknown Soldier. . . testicle castrators and their ties to the highest court in the land (that’s where Rowe would turn to the camera wryly and say, “I didn’t see it coming, did I?”Me?”) ?). The 90-minute film shows Rowe at his best, providing a combination of center and humor as only he can.
Along the way, Rowe connects the dots by asking citizens, among other things, what they think about what it means to be an American. A particularly poignant metaphor for our troubled times shows a woman running at the Lincoln Memorial. She explains how her team is doing to restore the monument while also removing the ubiquitous graffiti written in ignorance.
At first, Rowe embarks on a kind of adventure to find out what happened to American patriotism, wondering why so many of his countrymen identify as patriots as they did just 25 years ago. America, however, is more like Rowe holding a mirror before the audience so they can see what the heroes will look like. The only question is who will show up, while Rowe reminds us that there is something intrinsic to the national DNA to succeed. overcome struggles and solve problems. In this way, the film is cathartic, especially when conveyed through Rowe, affable and self-assured.
“I didn’t make this movie for Republicans or Democrats. . . conservatives or liberals,” Rowe says, “but for other people who, first and foremost, are Americans. . . Some say patriotism is at stake,” he adds, “and I’m afraid they’re right. “
Rowe at TBN Studios in Dallas to announce his new film.
Rowe has presented himself as a no-nonsense and favorite guy who tops the American list of people he’d like to have a beer with. If question groups had a fantasy league, Rowe would be in the first round. of cross-platform marketing and licensing, can’t the Something to Stand For quiz be far behind?
Today, Rowe is something of a gatekeeper of our national conscience, and he employs his many years as host of Dirty Jobs to gain exclusive insight into what motivates Americans and how retail politics informs candidates. While it’s hard to believe that Rowe ever entered the Roosevelt political arena, dust, sweat, and blood, one can dream.
Given the existing national discord, the timing of Rowe’s feature film is unmistakable and timely. This is a movie for those who still shed a tear when the national anthem is sung and don’t forget why we celebrate our Independence Day. It is a type of bond between generations, the type of film that is noticed and enjoyed – in combination – with the family.
Rowe’s supporting cast in the film is, well, important: some three hundred actors and crew who provide the visual context for Rowe’s stories as he tells them under the lights of a theater stage, a nod to his operatic years.
Rowe meets a veteran of the filming of Something to Stand For.
The project was produced through Mike Rowe Works Productions and Impact Productions. Fathom Events and Trinity Broadcasting Company are selling the film domestically. TBN and its vast media organization have built a successful film and television empire that caters to the part of the country that coastal media conglomerates often ignore. Its massive Dallas studios now rival some of Hollywood’s most productive.
The adventure of Something to Stand For has been long and winding for Rowe. Other jobs along the way included the recurring role of host for the QVC teleshopping network, as well as voice roles for American Chopper, Deadliest Catch, Ghost Hunters, and Shark Week. among others.
He grew up in Baltimore County, Maryland, and is the son of a social studies teacher who once created a paint delivery program that helped children, in part, find jobs in the trades. So, in a way, Rowe simply continued the family mission circle.
And now you know, the one in history.
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