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Rob Savage creates a bewildering horror film that uses the blockade to his advantage.
The ongoing pandemic and resulting blockade had a primary effect on cinema, with several films postponed and AMC nearly went to war with Universal Pictures on video on demand. Filmmaking is almost less likely due to social remoteness and safety requirements, especially since many other people have had to paint from home during this period.
Rob Savage first rose to fame in lockdown when a two-minute short film went viral, in which he combined a recording clip with his own production. During a Pan regimen call with several of his most productive friends, Savage shows that he heard noises in his attic, so, using his phone, he takes the assembly to the attic with him, where she switches to the Rec clip before supposedly returning to Savage’s. Dead. The true simplicity of the recording attracted attention, which created an opportunity with the horror-based subscription site Shudder, creating Host.
Launched exclusively on June 30, Host was specially created for the lockdown, meaning that each actor was directed remotely through Savage and incorporates special effects himself. The host focuses on an organization of six friends who consult at a weekly Zoom assembly that they use to stay in touch. The direction is similar to John Cho’s underrated research, with webcams and iMessaging as a visual representation of the film.
With the inclusion of a minimum of five and a maximum of seven other Zoom locations, each for a high-level cast member, Savage will create a sense of isolation for each person, even though the actors bounce. from one to the other. The voyeuristic nature of the staging incorporates a detail of impotence, which the distance between the actors makes them unconscious witnesses of the risks they all face. This is helping to create a closer connection with the public, because we also feel worried but powerless in the face of the horrors they encounter.
The tension in the film is reminiscent of James Wan’s The Conjuring 2, incorporating flashes of ghostly figures and moving elements in the background, as well as an innate sense of terror that turns into a wonderful fear. Savage adds small elements in the first twenty minutes to create long-term scares, get acquainted with Haley’s apartment, introduces Emma’s use of the apps, and incorporates Caroline’s loneliness through her screen saver, which take on all their importance when the consultation starts to go wrong. . This use of subtext and omen bears witness to Savage’s writing, which he has already shown in short films such as Absence with Paul McGann and the impressive Dawn Of The Deaf. Specifically, he would introduce Dawn, as it includes the actresses who play Haley, Radina and Caroline, and would be a feature film.
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