The series, narrated through Tilda Swinton, Jane Fonda, Thandie Newton, Debra Winger and many others, examines how films paint life, love, politics, humor and even death, all through the prism of some of the world’s most important directors, all of whom are women.
In addition to the documentary series, TCM will also provide a hundred old and new titles through women from 44 countries.
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Two women featured in the documentary are silent film actress Mabel Normand and Ida Lupino, who made her mark as screen siren in the 1940s and then as a leading film director in the 1950s.
“I love the name of this series and the name of Mark’s documentary, which is just ‘Women Make Film’: end point, no debate, no doubt,” TCM host Alicia Malone told Fox News.”Women have made movies … From the beginning of cinema and around the world, and the fact that we can explore this for 14 weeks, taking a hundred more than a hundred more films, from more than 12 decades of cinema …it’s actually like a film school, where all teachers are women.And it’s exciting.’
Normand, known for being the first actress and perhaps the first star of the comic film ebook, has made her mark on more than a hundred short films and 23 feature films.According to the Women Film Pioneers Project, she was one of the first actresses.act as its own director, be nominated on behalf of her films and have her own studio, Mabel Normand Film Company.
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“Mabel Normand is one of my favorite figures from the silent film era because …it’s very natural,” Malone explained.” I had no education as an artist.So there’s no artifice in it. And he’s not afraid.to enter the game with physical comedy or dress up as a child.
“And then, when he went to the camera, he took that incredible physical sensation,” Malone continued.”And whatever we rarely communicate about is how much he played a decisive role in Charlie Chaplin’s career.Because she actually directed the same Charlie Chaplin film first appearance as her remarkable vague character.
“He’s a character, he’s definitely evolved himself, but you have to think that she, as a director, was involved in creating this character,” she shared.”This is an example of how we don’t recognize women’s paintings and how vital they are.are in men’s careers. Cinema is a very collaborative process.”
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However, Normand’s burgeoning career was plagued by scandals.Despite being a popular star at Keystone Studios, he was also notoriously underpaid compared to Chaplin.His close friend, director William Desmond Taylor, was assassinated in 1922 at the age of 49.been the last user to see Desmond alive, named suspicious through the tabloids.
A few years later, millionaire tycoon Cortland S.Dines shot and wounded Joe Kelly through Norman’s driving force with his pistol, who was exonerated from both shots.
There were rumors about The Alleged Drug Use of Normand, which overshadowed his film achievements.In 1930, Normand died of tuberculosis at the age of 37.
TCM will broadcast “Mabel Strange Predicament” from 1914 in honor of her as director on October 28.
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“It’s a very funny and undeniable comedy,” Malone said.” There are many laughing conditions to look at.But anything that surprises the public when they see it is how alive they feel.Even though other people would probably think it’s an old movie, it’s a silent movie, all about it.It’s a lot of laughter. And it shows diverse troops that we continue in comedy.Today, you’ll see many of the same physical comedies and the same kind of conditions appear, but that’s where it started, in the age of silence.
Years later, Lupino signed a $1,700-a-week contract in 1937 because she was fed up with “light engineering parts,” the Los Angeles Times reported.The media added that the actress had abandoned another acting contract in the early 1950s to produce, write and direct.
And it was in the late 1940s that Lupino directed and helped write films on contentious issues, adding illegitimacy in “Not Wanted” in 1949, rape in “Outrage” in 1950, and pathological homicide in “The Hitch-Hiker.” 1953.Lupino also formed a production company called The Filmakers (which she wrote with an “m”) with her then-husband, writer and producer Collier Young.
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“I think if you’re an artistic user and you’re classified or written, you get restless,” Cousins told Fox News.”You need to escape from the cage, you need to escape from prison.And that’s what Ida Lupino was looking to do. When you watch the videos he made, he made a variety of movies.It’s like I’m saying, ‘I can do that. I’m not just a pretty face.I’m not just a doll, or someone who plays in videos.I have a visual imagination. I’m a storyteller, I’m a visual thinker, I can empathize with other human beings.'”
“I have to say hollywood itself wasn’t very good at giving women like Ida Lupino a chance,” Cousins added.
Malone noted that when Lupino first arrived in Hollywood from England, he without delay ‘put that box in’.Studio managers saw her as a screen siren, but she sought much more for her career.
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“They think she was going to play this guy Jean Harlow, ” explained Malone.”So he won this character that wasn’t his. So I think for her it must have been very frustrating [listen]: ”These are the roles you’re going to play and this is your box.And when he made the decision to start directing, he showed, as Mark said, all sorts of videos he could direct.One of my favorites is “The Hitch-Hiker”, which is a very tense thriller.Here’s an example of how women can make exciting videos that will make you have to close your eyes.They don’t just make romantic videos.”
Lupino died in 1995 at the age of 77. At the time of his death, the New York Times reported that he stood out for making “eight provocative and socially applicable feature films and dozens of episodes of many long-running television series.”His 1941 film “High Sierra” will air on TCM on September 8, as well as “Fight For Your Lady” from 1938 on October 7.
Malone expects these films to introduce Normand, Lupino and many administrators to a new generation of moviegoers.
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“[Cousins] overwhelms you with examples of films made through women that make you realize how we haven’t identified their position in film history before,” she said.”And now we can begin to have this verbal exchange about how we celebrate the paintings that have already been made through women all over the world.”
“Women Make Film” airs Tuesday on TCM.