The film presents 53 minutes of complete replacement with some shots last up to 4 minutes each, so the generation had to be examined. The final result here is impeccable and is thanks to the metaphysical learning process. While the manager of the visual effects of metaphysicist, Jo Peste, explained to the MAG leader of the VFX Before & Afters industry, “is based on a photographic reference that goes in those neuronal models that we form. “
He also had a more original actor delighting because filmmakers did not want to use Mocap combinations and Spartan sets that are mandatory for heavy effects. Instead, 3 design games designed in pine were built, one for external blows, while the other two were dressed in other periods so that the actors can jump from one to another with the software immediately adjusting their appearance.
The view through the window of the total set has even replaced with it. In fact, outside the window doors, a 7 -meter LED wall x 3. 5 meters can simply transmit another 85 times thanks to the photographs produced through the main VFX / DNEG 360 size studies.
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