In María, Angelina Jolie plays Maria Callas, one of the maximum prolific opera singers of the twentieth century. The film takes place in the last week of his life in 1977 while fighting with sedative addiction and the preference of claiming his voice for herself.
The film is an adequate end for the trilogy of director Pablo Larraín of the emblematic women of the twentieth century, which also includes Jackie in 2016, with Natalie Portman as Jackie Kennedy, and in 2021, with Spencer, with Kristen Stewart as princess Diana Diana Diana . . The 3 films are related to the essential moments in the life of their subjects, and what can be more than death? When opening with the last moments of his life, Maria’s fragile mortality pursues the rest of the film.
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Maria stocks a screenwriter with Spencer, Peaky Blinders author Steven Knight, but, although the latter organized Diana’s struggle to separate her personal life and her public life, the film was in the end basically involved about the pressures she felt in the Royal Family. The film’s opening scenes are a montage of his Beyond FunctionalityArray interspersed with photo shoots, clippings of complaints from his concerts, and shots of enthusiasts and paparazzi banging on his car windows. The film itself reflects this as well, with its 3 acts indicated through the valves: the functionality made it an integral component of the telling of Maria’s story and her life.
When we located Maria in 1977, she has played for 4 years and has spent most of her time in her sumptuous apartment in Paris with only her committed butler (Pierfrancesco Favino), the maid (Alba Rohrwacher) and the dress rails and rails of Stage that will never use again for the company. For an audience.
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Fighting to recover the difficult tool of her voice after so many years free, Maria begins the sworn film that will no longer act. However, as the film progresses, he proposes to sing one last time for herself, despite your doctor’s warnings about what the tension will do to your body.
In Flashbacks, we also saw Maria’s non-public life, namely her affair with Aristotle Onassis, the tycoon who would go on to marry Jackie Kennedy (such is Pablo Larraín’s cinematic universe) and also forbade Maria from acting while they were together. Living in the older spouse with more strength and swing?Perhaps Larraín’s protapassnists and Knight’s last two collaborations have more in them than meets the eye.
Maria arrives at British cinemas on January 10 and now transmits in Netflix in the United States. To get more about what to look, see the rest of our large spotlight screen.
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