In the summer of 2020, when a new iteration of the wolf was revealed for the first time in the making, the task had no deputy director, but it had a star aligned. While places were taken for who would direct the film, it has been announced that Ryan Gosling was going to play the lead role: the actor is very excited to go through one of cinema’s vintage transformations. Unfortunately, the film’s extended progression has despite everything that wreaked havoc, and Gosling was nonetheless replaced through Christopher Abbott (which audiences may see on the big screen this weekend), but if you’re like me, you’re, you’re curious: What would Ryan Gosling’s edit of Wolf Man look like, and what would it have been like?
I brought this interest with me to the press day of Wolf Man previously this month in Los Angeles, where he had the possibility of interviewing director Leight Whatnell. I asked about Gosling’s original participation and how much he replaced the film with the new version, and the Moviemaker explained that his vision for the film remained consistent thanks to the remodeling, which was not due to any of the artistic differences, but made plans of complications.
No, it is quite the same. Really, you know . . . when I run with Ryan, it’s the similar story you see now. Isolation, the same characters. It’s just that it has been so long, there have been those movements and all this has happened. All suddenly, Ryan’s schedule changed. But I’m glad we have Christopher Abbott. It is so great on paper. I think he gave life to this bigger than he could have expected.
When it was reported via Variety in 2020 that Ryan Gosling was going to play in Wolf Man, the industry noted that the actor had introduced the film and that there was an existing script for Lauren Schuker Blum and Rebecca Angelo, who was described as “in the vein of Jake Gyllenhaal’s thriller Nightcrawler. “A guy whose circle of relatives is terrified through a fatal predator. “
In addition to Leigh Whannell’s idea for the story remaining intact, there was also carryover from the character development work that the filmmaker did with Ryan Gosling. I asked how the personality of Blake, Wolf Man’s protagonist, evolved with a new actor playing the role, and the director explained that work with Christopher Abbott picked up where things left off with the Barbie star:
Not exactly. It’s interesting. The center of what I worked on with Ryan was what was left at all. Of course, we replaced it a little bit, and Chris had his own ideas, but the center was the same.
In the movie, Blake by Christopher Abbott is a married father who says his father was declared dead after having lacked for several years. The plan is made for the Blake formation house, which is anchored in the Oregon desert, however, everything goes to hell when the trio is put in a wild creature.
Wolf Man hits theaters this Friday, January 17, and he has you listening here for CinemAblend to get more of my interview with Leigh Whannell.
Eric Eisenberg is the Assistant Managing Editor at CinemaBlend. After graduating Boston University and earning a bachelor’s degree in journalism, he took a part-time job as a staff writer for CinemaBlend, and after six months was offered the opportunity to move to Los Angeles and take on a newly created West Coast Editor position. Over a decade later, he’s continuing to advance his interests and expertise. In addition to conducting filmmaker interviews and contributing to the news and feature content of the site, Eric also oversees the Movie Reviews section, writes the the weekend box office report (published Sundays), and is the site’s resident Stephen King expert. He has two King-related columns.
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