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With wonderful dance sequences and a cast, Work It does, well, work.
I don’t think any of us are strangers to the dance movie arc. Usually it is a dance contest or a show off that the dancer would fulfill his dreams, the dancer wants to embrace anything new and this leads him to the path of non-public achievement. We see this in Step Up, Center Stage and Save the Last Dance.
Work is a little different in the sense that Sabrina Carpenter’s Quinn is not a ballerina. Actually, she’s something yet. Quinn worked hard for a GPA 4.0 and strengthened his extracurricular activities, all to have the opportunity to be a component of Duke University.
The challenge comes into play in her early admission interview, and the counselor feels she doesn’t really stand out, especially since a ton of other candidates have the same titles. Work Rarely this is the first young Netflix film to draw attention to this, with Sierra Burgess being a loser and The Perfect Date also commenting on the difficulties faced by early career students, where it turns out that what they are is not enough. It is mandatory to seek all these rewards and achievements to stand out and be someone who deserves to be accepted.
Quinn needs to be a component of Duke University so much that she proves to be beggar to the admissions officer and claims to be a component of the dance team for which Woodbright High is known. The dance team is led by Keiynan Lonsdale, who does a fantastic task as the queen slut of the team. The popular trope of naughty women has been one thing in youth videos since Regina George, and Rachel McAdams has done such a stellar task of breathing in the substance and intensity of a plastic woman intended, no one has been able to own the role of naughty woman – until now. Lonsdale actually works on paper, and things get more attractive when he’s on screen.
The rest of the cast also does a flawless job, with liza koshy and jordan fisher. Koshy, who is the most productive known for her Fame on YouTube, is so effortlessly funny. There’s a specific running gag involving a bed shop, and the nature of the scene is enough to make everyone cringe, Koshy makes it fun. Jordan Fisher is so talented, and this film allows him to showcase all these talents. He contributes to multiple dance sequences, one of his songs is in the film, and we also remember that Fisher plays the piano (which he also does in To All the Boys: P.S I Still Love You).
With all these smiley, colorful characters, Carpenter’s Quinn is a little bland in comparison, but I think that’s the point. She should never be moved by anything, and Carpenter actually makes this transition to Quinn, from someone devoid of a hobby to someone who can feel something strong, even if she’s not the most productive dancer in the area. That’s what I like about this movie. It is not simple to describe someone as a non-dancer; the dance is available to anyone who needs to learn, and Quinn is the weakest dancer, they choreograph according to their strengths instead of hiding it as she suggests.
The first part of the film is strong; it is a laugh and engaging and does a clever task in assembling the main characters and their bows. And then the moment thing hits and things get harder. Quinn’s clash with his mother becomes part-baked, the final dances are not as engaging as the past material, and Jake Fisher’s loses all sense of action. I still can’t help thinking that the less than stellar part of the moment is due to the generic questions of the plot that the film wants to achieve because it’s a dance movie. The act of the moment presented Work It a possibility to deliver anything new in the genre, instead it tells a story that has been told several times before.
However, I think it’s one of the most productive videos of young people on Netflix, and the cast values it. I had a smart time watching this, and I think you did, too.
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